Which means it's NANO!!!!
Which means I will use this as an excuse to finish this draft of "Fox" by November 30th, so help me!!!!!
Meantime, here's another tidbit.
(Lauren says it a lot more eloquently than I just did and I rooted around on her website for like an hour trying to find that exact quote but to no avail. Grrrr. But I got the gist, soooooo)
You guys, I'm finding that this is absolutely true.
Confession: when I started out writing what is fondly becoming known(to me, at least) as the Sherwood Cycle, I didn't intend it to be more than one show.
But, as it usually the case, I fell in love with so many of the characters(as is my wont) that I had to write more of their stories(and I'm repeating myself, I know).
Wolves of Sherwood took place in the summer.
Wolves of Sherwood was super swashbuckling.
There were 11 fights
(more in the Utah production, because we had three fight choreographers--one main choreographer and two fight captains/assistants--rather than one. Which was cool.)
And, while there were some dark things that happened in the plot,
for the most part in Wolves of Sherwood, everything was light and frothy and gave you warm fuzzies.
Lure of the Fox is not Wolves of Sherwood. And not just because the title is different(ha ha).
Fox takes place in the autumn/early winter(the most important part is that there is no snow, cause I hate snow).
It's not frothy and whimsical and dappled sunlight and all of that.
There's shadows and cold and broodiness and darkness--both atmosphere and people-wise.
Fox's events occur in a war-torn country,
complete with mercenary thugs and the like,
and, it's me,
so of course there will be combat.
Just not as much--
and those fights are shorter, harsher, bloodier...
because why not(ok, fine, there is a legitimate reason, but still)....
Stakes are higher.
Consequences are more dire.
Themes are more mature.
Get the picture?
It's more cerebral.
There's plenty of emotion and sword fights and the like,
but it's less swashbuckling,
and a lot more internal
with a heist type plot line, rather than straight up action/adventure.
Also, it's becoming a lot more character driven,
which is interesting,
as WOS was mostly plot-driven.
Also, also, there's more French.
A lot more French.
All of which actually fits Jean-Luc's personality to a T.
He's cerebral(an emotional cerebral, but still),
he's dark and broody,
he's incredibly sexy (in my mind anyway, because y'all know how I feel about Dark Horses and their personalities, and it doesn't help my romantic heart that he still looks like Harry Richardson--who is Drake from Poldark--in my head:)
And he's like a dormant volcano,
with thoughts and emotions bubbling beneath the surface
that will explode if not released sooner or later.
But explosions always have consequences.
And it's always really fun to watch those play out!