Wednesday, December 30, 2020

Thespian Musings: Recap 2020

New Year's Resolution.

I hate that term.

Ok, fine, "hate" is a strong word, I know. "Dislike with a fiery passion" is a better one. 

And I "dislike with a fiery passion" the term New Years Resolution because I never fulfill them. Even as a kid I made goals and they always fizzled out for one reason or another. 

Back in January I wrote about what I wanted to accomplish as a playwright this year. As this is the second to last day of 2020 I'm going to beg your indulgence because this year I ACTUALLY DID IT!!!!

Yes, I know that makes me sound a little bit like an egomaniac, but I feel like celebrating. 


Because, believe it or not, we all need a little something to celebrate:

Due to the pandemic, theatres have been closed, rehearsals discouraged, all that awesome stuff (if you didn't notice you've been living under a rock) artists like myself had to figure out how to still make art.

It was hard, but not impossible. 

This year has been spent not on stage, but still seeing/reading/writing plays. 

Last year, 2019, I wrote one play.

It was a great play, and I was really proud of it, but it was only one. 

This year, I wrote six plays. 

SIX.

Ok, fine, three of them were ten minuters, but still. 

I mean, if I can't perform in them, I might as well spend my time writing, and revising and using my artistic time to the fullest, right?



Three

Full 

Length

Plays

In 

One 

Year


Yes. Yes, I'm really excited about this and nothing is going to change that. 

Also, I joined an amazing play reading group. They get together every week and read plays over Zoom. Granted, due to the holidays and day job I haven't been able to participate as much as a wanted to, but it's amazing to see a group of artists come together to read new work. 

Which would also be impossible without Zoom. 

I have been able to connect with other artists in other places in the country that I never would have met otherwise. 

I have learned so much about myself as an artist and a woman.

Having the opportunity to figure out ways to be productive in a day is something I needed, and something I think I wouldn't have been able to figure out otherwise. 

I mean, I would have eventually, but not as quickly as I did this year.

I've learned what it's like to be a friend. 

A real friend, I mean, not the type of tiered-aquaintence-you-say-hi-to-because-you're-a-nice-person-and-will-probably-forget-about-as-soon-as-he/she/they-is/are-no-longer-in-your-line-of-vision. But somebody who really truly cares about the people around them and will always be there no matter what. 

Yeah, I know, it sounds corny, but it's true. 

2020 has been hard. We've heard that all year. 

But you know what? There have been really good things too, and I for one am going to celebrate them and I encourage y'all to do the same. 

That is all.



Wednesday, December 23, 2020

Robbing Hoods: Kenna

 Christmas is FRIDAY, Y'ALL!!!!!

I've spent the past couple weeks prepping, which includes last minute present check and delivery, annual holiday audiobook listening, "Lion in Winter" and "A Christmas Carol" viewing (because DUH!!!!), and past family home videos. And there is nothing quite so amusing as watching your baby brother running down a beach while holding the back of his swimsuit so that it won't slide down his stick of a body to make your holiday.

But I digress.

It's time your you, dear readers, to meet the new characters in the Sherwood Cycle. Starting with Kenna.

Kenna is Declan's twin, and about as opposite to Declan as she can possibly be. She's as fiery and snarky as the rest of the Sherwood Wolf Pack and it's so much fun to pit her against Declan because I'm a sucker for sibling rivalry. It's almost like Braelyn/Jean-Luc, but not quite. Twins have a different dynamic.

Whenever I see Kenna in my head, I see this gorgeous woman.


This is Thalissa Teixeira, from "The Musketeers", "Millionaire Ransom", and "National Theatre Live: Yerma." Fierce and fiery with the ability to hold her own, any time I see her on the screen I'm riveted. Plus, I'd love to see her and Declan's model onscreen together. 

As always, here's more of the writing soundtrack, starting with Act II:

Between the Wars, by Allman Brown


Pain, by Three Days Grace

Without You, by Breaking Benjamin

No Mercy(Feat. isotope), by UNSECRET

Younger, by French Wives

Failure(Aurora Version), by Breaking Benjamin & Red

Cold Blooded (feat. Sam Tinnesz & Hulvey), by UNSECRET
(you'll have to Spotify this one)

Animal I Have Become, by Three Days Grace

Never Surrender, by David Chappell


Sometimes Love, by UNSECRET & Chuck Adams 

Wednesday, December 16, 2020

Robbing Hoods: The Minis

 You know the awesome thing about writing "Robbing Hoods"?

Ok, fine, one of the many awesome things?

Mini versions of characters pop up.

Which is fantastic!

I know in Hollywood-land it's possible for celebrities to play roles that are considerably younger than their actual ages, but sometimes that just isn't possible(see who dances around in my head for DeClaire in Wolves to see what I mean). 

So this means that I get new pictures in my head of all the "mini" versions of Jean-Luc, Cassian and...DeClaire.

I know--shocker to me, too. Apparently, no one wanted to be left out. 

Which is fine.

Mini Jean-Luc: Aidan Gallagher

aka "Number Five" from "Umbrella Academy".  Great with the snark!

Mini Cassian: Joel Dawson

aka "Georgie" from "Mary Poppins Returns"--isn't he adorable?!?!?!

Mini Mei: Thaddea Graham

Thaddea Graham - IMDb 

From Netflix's "A Letter for the King", BBC's "Us" and the upcoming "The Irregulars"(like, Sherlock Holms' "Baker Street Irregulars"!!!!!!!!!) The characters this girl plays are feisty and can kick A$$!!!
 
 Mini DeClaire: Andrew Mattarazzo

aka "Gabe" from the second half of the sixth season of "Teen Wolf". Because I think he totally looks like a mini version of Toby Kebbell. 

And, as always, here's more soundtrack bits:

Ghost, by Halsey

Gonna Be a Legend, by The Phantoms


 

Le monde est a rende, by Louis Delort


At My Best (feat. Hailee Steinfeld), by Machine Gun Kelly


Don't Wanna Fall, by Seven Lions, Last Heroes, and HALIENE


 

Hypnotic, by Zella Day


 

How Can I Forget, by MKTO


 

With You, by Tyler Shaw


 

Fires, by Allman Brown


 

Un monde a changer, by Nyco Lulliu


 

Desert Rose, by Sting


 

The Campfire, by Peter Crowley


 

The Archer, by Taylor Swift


 

Technicolor Beat, by Oh Wonder


 

Arms Around Me, by Starley


 

The Reckoning, by UNSECRET


 

Blood and Glory, by Audiomachine

Tell Her I Wasn’t Scared, by Dan Thiessen & Epic Music World


 

 And that's the end of Act I.

You're Welcome πŸ˜›

Thursday, December 10, 2020

Robbing Hoods: Beginnings


I've said I hate endings

I also hate beginnings. 


 

Like a freaking lot. 

 I started this whole Sherwood Cycle because of how annoyed I was that all the Robin Hood retellings seemed to be Origin Stories

Except now I've back and the beginning (since I write things backwards, remember?) and now I "get" to write my own version of the Origin Story. 

Yay. 

Now, I love a good origin story, don't get me wrong, but so far as mythic heroes like Robin Hood are concerned, it kind of feels like the first season of a new tv series--it'll either become a Critics Darling And Soar To New Heights or Crash And Burn.

Obviously, I want the former to happen, rather than the latter. 

The good news is that since I know how everyone ends up, I don't have to work so hard to eek exposition out of new characters. 

What I get to do instead is turn the clock back far enough so that the lessons already learned and the relationships already formed are nil. 

And ohmigosh that's hard. 

But also, ohmigosh it's fun!

Like, characters that end up as hardened veterans and mature adults are in their pre-teen years(Jean-Luc and Cassian)

And I get to find out how things that are significant later in the cycle (like the wolf howling thing) actually started(which is one of cutest bits of dialogue I've written so far)

 


And I get explore the creation of relationships that already existed later in the cycle( like Will and Elodie's, which has been...interesting.) 

So long as everything goes according to plan(unlikely, since my characters seem to have a penchant for taking over the story rather than nicely play out what I planned for them--which I am not complaining about...too much), I'll get over my aversion to Origin Stories by writing this one. 

Or I might just decide that Origin Stories will always exist and I need to deal(the far more likely scenario).

For now, I'll be happy that I get to go back to Nottingham and Sherwood as depicted in the classic tellings of the tale (so far, still early days yet.)

While I'm at it, here's some more soundtrack samples:


Thief, by Ansel Elgort
 

Like a Man, by Louis Delort


 

Kingdom, by Young Tribe

 

Fight for My Survival, by The Phantoms


 

Wanted Dead or Alive, by Chris Cagle


 

Ain't No Rest for the Wicked, by Cage the Elephant


 

Do I Make You Wanna, by Billy Currington


 

Warrior's Song, by Audiomachine


 

The Great Divide, by Breaking Benjamin


 

Ghost of a Rose, by Blackamore's Night


 

Warrior, by The Phantoms


 

Watch Me, by The Phantoms


 

Bloodstream, by Ed Sheeran


 

Shadow of the Moon, by Blackamore's Night 


 

Fantasy, by Sofi Tukker


 

Dibs, by Kelsea Ballerini


 

Tuesday, December 1, 2020

Robbing Hoods: The Beginning of the Sherwood Cycle

 You know what's really hard about revising tow plays at the same time?

The blog doesn't get updated for two months. 

But that's being remedied now. 

Remember when I said all the Robin Hood stories out there were "origin stories"? 

Well, there's about to be another one. 

I'm finally writing the first play in my "Sherwood Cycle"--my own adaption of "how Robin Hood became Robin Hood".

Except it's not. 

There is no "man transforming into outlaw and then hero" montage.

There is no "steal taxes off with his head" screaming sheriff(ok, fine, there kind of is, but not in the usual way).

But there is a lot of combat and derring-do and snarky asides(because of course there is).

And I'm loving it. 

Because Locksey's in this one. 

And Will

And Elodie

And Marion and Gisbourne

And Malbete 

And Declan and Enzo and Mei 

And Jean-Luc and Cassian.

Which means there's not very many character tidbits I can share that you haven't heard before. 

And that's fine.

All that means is that I can share other spoilers instead. 

And the soundtrack of course, because there's always one of those. Starting with the Themes of all the Characters(most of which you already know, but still worth a re-listen, right?)

Wolves, by Rag ‘N’ Bone Man[Main Theme]

 

Live Forever(feat. Cheat Codes), by Liam Payne[Main Theme]

 


Outlaw, by The Phantoms[Will]


Born This Way, by Bear and a Banjo[Will]

 

 Pretty Waste, by BONES UK[Elodie]


Plain Gold Ring(Live), by Kimbra [Elodie]


Gallows, by Kate Garfield [Malbete]


 

Bad Things, by The Phantoms [Nazaire] 

 

Warrior Concerto, by The Glitch Mob[Locksley]

 
 

 Horns, by Bryce Fox [Marion]

 

Let It Bleed, by Adam Jensen [Declan]


Looking for Trouble (feat. Anna Mae), by UNSECRET [Mei]

 

Arsonist's Lullabye, by Hoosier [Enzo]

 

 

Stronger(feat. Black Violin), by The Phantoms [Kenna/Cassian]

 

 

The Hunter, by Adam Jensen [Jean-Luc]

 
 

The Chain, by Fleetwood Mac [Gisbourne]

 

Wednesday, October 28, 2020

Chocolate is Salad, and Here's Why

 So there are three days in the year that are my favorite: Christmas, my birthday, and today. 

Why today?

Because today is National Chocolate day!


If you know me really well, you know how much I love chocolate. 

Like LOVE CHOCOLATE.

Growing up, I would eat chocolate chips by the handful; 

 through high school and college, I would squirrel away chocolate stashes in my backpack, my locker, and my apartment;  

even now, I have a drawer in my desk at work I have dubbed "the chocolate drawer", for obvious reasons. 

I visited my sister in New York a couple of years ago, and one of the places we went was Eataly--a fabulous Italian marketplace that, among other things, has chocolate by the bag.

You heard me right. 

Chocolate

by

the

bag.

Like, you fill up a bag of chocolate--any chocolate you want, individually wrapped, of course--and you pay by the pound. 

Did I take advantage of this?

Yes, yes I did.


 And then she took me to Max Brenner where I tasted the most amazing hot chocolate I've ever had(at a restaurant, that is, nothing can beat my own made-from-scratch-cocoa).

The only thing other place I spent that much money was The Strand and The Drama Bookshop, but I digress.

No joke. 

Being a quirky thespian, I do things on this day that I don't usually do other days--I mean, I could, but I save these particular things for this particular day. 

Because of course I do. 

Back in college, I was introduced to Regency mystery writer Andrea Penrose. 

She wrote several mysteries centering on a woman named Lady Arianna Hadley and her husband, the Earl of Saybrook, who is a government agent. 

Together they solve mysteries that sometimes include murder but always include chocolate. The headings of each chapter have historical references to chocolate and recipes in the back!

Needless to say, I fell in love.

I've borrowed this book from the library so much I should probably either get my own copy or buy the audiobook.


The other thing that I do--annually, since I actually own this one and don't have to constantly borrow it from the library--is watch the film Chocolat

It's a fantastic fable about a woman who transforms a little French village by simply opening a chocolate shop...during Lent. 



Which is all sorts of fun. 

Plus, it's got Johnny Depp in it, which is an added bonus.

 If you want to be my best friend for life, bring me a pound of dark chocolate. If you're real nice, I might share it with you. 

Thursday, August 20, 2020

Nottingham's Legacy: Endings

Question for all of you awesome people.

If I show you these characters:

1. Do you know who they all are?  

And

2. Do you know what they all have in common?

Yes?

Great! You might get an inkling of what I'm talking about.

No? 

Google these shows(or at least one of them--One Tree Hill, Vampire Diaries, The Walking Dead, The Office, The 100, Legends of Tomorrow/The Flash, Fast and Furious) and characters because you need to have an inkling of what I'm talking about!

Have you done it?

I'll give you a minute.....

Confession time!

One of my favorite franchises ever, ever, ever is The Fast and the Furious. 

(have I seen the original 1954 film on which the franchise is based? Yes. Yes, I have. And it's brilliant!) 

I am the unabashed proud owner of films 1-7(8 is on my To Buy list, along with 9 and 10 as soon as they happen🀞🀞)

When production on "Furious 7" was halted due to the death of Paul Walker, I cried for two days. 

When I went to see "Furious 7" in theatres I spent the last fifteen-ish minutes of the film like this

("Furious 7" still makes me cry no matter how many times I've seen it, much to the amusement of several family members, but that's neither here, nor there)

And this film isn't the only film that makes me cry--last count there were almost 200 of them (I know cause I have a physical list that I started as a joke and keep adding to just because)

Why?

Because in one way or another, they all include the words


And

hate 

endings. 

I hate them so much. 

Not just "End of Play" or "Roll Credits" or "Last Page of the Book" endings. 

I hate Character Endings. 

Character Deaths. 

Character Exits. 

(and yes, those are three different things, with the same result)

I can't stand any of those. 

And there are a lot of them in "Nottingham's Legacy".

Lot!

So writing them all is a bit like a Thanos Snap/Infinity War/Endgame dilemma: 

Which exits are drawn out?

Which are quick and don't "matter" as much(that's hard!)?

And do they all need to "exit" or not (Answer: "they do--kind of")?

And then, there's this tiny little thought bouncing around in my head each time I write an "exit"

But I'm fine.

It's fine.

That is what revision is for so I'm totally cool with it.

Totally.

Cool.

With.

It!

Tuesday, August 18, 2020

Nottingham's Legacy: Malakai

Moving house plus beginning of new law school year in current circumstances is a fun combination, as it means it I spend so much time on my day job(law school) and packing that I forget this little blog. 

But my brain is mostly back in order now, so I have another tidbit to share with you:

Apparently, villains have to come in threes. 

Because Gisbourne wouldn't just hire one person to take Oliver out. 

He'd hire two--just to cover all his basesπŸ™„

So here's villain number three--and a total surprise. 

Malakai. 

He's little bit like The Hound and The Mountain from GOT, but without the height. And a little bit of a Beserker. Which is fun.

For some reason that I haven't quite figured out yet, Malakai's animal parallel is a bat.

 Then again, bats are associated with vampires, and blood, and death, so maybe it makes more sense than I initially thought. 

We'll see.

Malakai's celebrity model is one that I discovered recently. He's been in "End of Watch" the "Sicario" franchise, and--most recently-"The Umbrella Academy".

In my head, Malakai looks like David CastaΓ±eda:

Except without the smile(as charming as that is). Maybe, this is a better visual(even if it is David CastaΓ±eda as Diego from "Umbrella Academy").

Yeah. 

That's much better.

Malakai mostly shares the same soundtrack as Olympe--that's what I get for late discovery--so if you wanna give it another listen, then go here.

However, he does have at least two songs that are definitely his:

Bad Man by Audiomachine

 

Watch Your Back by Benny Cassette(yep, from "The Fast and the Furious")

 

And one "combat song" which he shares with Declan, Mei, Enzo, and Olympe, in one of the coolest fights I've written in a while(at least, it looks epic in my headπŸ˜›)

They Gotta Go, by Lil Jon(and yes, that song is from "Spies in Disguise)

 

Tuesday, August 11, 2020

Thespian Musings: Aesthetics

 Real talk.

When I get passionate about something if I don't get it out of my head sooner or later I will explode.

Or implode.

Or whatever the proper term is. 

Nevermind.

Here goes:

One of my favorite words is 


Aesthetics is a particular approach to art which is pleasing to the sense, particularly sight, especially in terms of art and beauty.

I guarantee no one has the same appreciation for the same type of art or the same definition of beauty as anyone else. 

My brother takes some of the teeth from deer he's hunted, polishes them and wears them around his neck. Apparently, this is a fashion statement. 

I think wearing teeth around your neck is gross. 

My sister gets a huge kick out of painting gorgeous landscapes and things, and she loves going to art museums (she lives in New York, so she can go to the Met whenever she wants to, circumstances permitting).

I can't paint and I happen to think art museums are boring.

However, no other member of my family understands why it's fun to put on a costume, slap a pound of makeup on one's face, and stay up all night under hot lights saying things that were written by someone else.

But I love it!

This is because we have a different sense of aesthetic. We have our or definition of what beauty is. And we have our own definition of what art is.

My personal definition of art happens to include not just framed paintings and sculpture, but theatre, dance, novels, and music. 

Ok, fine, in humanities class they probably told you the same thing, so I'm not the only one, but that's not the point. 

Art is not something that should be dictated.

By anyone. 

For any reason. 

Because beauty and art don't have to appeal to the masses. 

And when art is censored, sometimes it doesn't help as much as it hurts. 

In 1642 Parliament banned public theatre. No plays, no actors, no theatres, no street performers, no nothing. They did it because art and theatre were seen as frivolous and a waste of time. 

I happen to like frivolity. 

Back in the 1930s, the Hayes Code was introduced to Hollywood, which had rules on everything--plots characters, words out of people's mouths--and some of them were real weird.

It didn't help the movies--I think it made them worse.

Art is created.

It is there to make you think.

To make you feel things.

It is there to educate. 

To help you understand something you didn't understand before. 

What you shouldn't do--what you can't do--to any kind of art(painting, sculpture, film, play, poetry, novel) is dictate it.

By defining what is and what isn't art--"good" art--we are compromising another's definition of aesthetics.  

And that's a deadly a threat as anything else can be. 



Is it ok to be offended, disgusted, appalled by the art someone else chooses to create? 

Of course!

Does that mean because this particular piece of art didn't have any aesthetic appeal to you personally that it should be destroyed and that artist should be ostracized?

Of course not!

Art speaks differently to everyone because of our individual aesthetic appeal. I can't tell you the number of times I have had to bite my tongue when a friend or family member heaps praise on a book, or film as "the best thing [they've] ever read/seen" and I saw the same film or read the same book and think it was a complete waste of time. 

And that's my "nice critique".

I've heard that the late Blake Edwards(director of the original Pink Panther films and married to Julie Andrews from 1969 until his death) wrote and directed the brilliant black comedies "10" and "S.O.B."(if you don't know what those are, google them). Julie Andrews is in both films, but in "S.O.B." she makes this face

And people who have seen the film, or heard the famous story about Julie Andrews in this film, know why she's making the face.

Having read Julie Andrews' latest memoire ("Homework: A Memoire of My Hollywood Years") and recaps of the films I know what they are about(and why she's making the face above), but I will never watch them--not because they're poorly written, or directed, or acted(see "brilliant black comedies" above), but they don't have any aesthetic appeal for me.

Neither do most of the Horror genre(though I will admit to seeing and rather enjoying  a few "The Woman in Black 1 &2", "A Quiet Place", and "The Village" and my favorite tv show is "Supernatural", which is about as close to horror as I will ever willingly get and it's actually not that scary, but whatever).

But I have several friends who are self confessed horror-heads and would probably get a huge kick out of "10" and "S.O.B."

Which is great, because it means that particular niche of the art world is still being enjoyed.

And that's the point.

Art promotes conversation, be it good, bad or ugly(yes, sometimes a play or film or can lead to ugly confrontation, witness the book burning scene in the original "Footloose"). And we as a society need to have conversations. 

We thrive on that stuff.

No one is going to force you to like a film, or play, or novel or painting. And maybe something you love is something that is highly offensive to someone else.


And that's ok.

You are free to choose to participate in/attend/read that particular piece of art or not.

That's the beauty of art.

And that's what's amazing about aesthetics. 

So those are my thoughts, and my brain is still in one piece. 

Thanks for coming to my Ted Talk πŸ˜›

Friday, July 31, 2020

Nottingham's Legacy: Passive Hero

You know what's really hard about writing this particular script?

(besides the fact that it's the Sherwood Cycle Swan Song and even though there's still one more script to write the series as a whole is basically over😭😭😭)

Oliver is a Passive Hero.

Awesome.

What is a Passive Hero, you ask?

Rocky in "Rocky Balboa".

Or the title character in "Ivanhoe" (he spends half the book and a good deal of the film adaptions suffering blood loss and basically in hiding and immobile).

Even--according to some--Katniss Everdeen(as witnessed by this writing forums thread)

And Cameron in most of "Ferris Bueller's Day Off".


There is still a character arc, and the character does change; but it's a slow change, and it comes through an almost deus ex machina type of event or events. 

Aka, the story is heavily plot-driven.

Basically, a passive hero is someone who is a pawn of fate. They get dragged through the story because fate demands it; their actions are reactions to an outside force. They complete their "arc" because the plot says they do.

Which still makes a good character (see examples above) it just means that I as a writer need to work harder to make Oliver appealing. 

Not impossible, just challenging.

So that'll be cool. 



Tuesday, July 28, 2020

Nottingham's Legacy: All Grown Up

I have been with these people for a while, and the best part about writing multiple plays with the same characters is watching them grow.

And grow up.

Ravenna goes from a naive spoiled little goody two shoes into a fiery leader who can stand on her own two feet.

Cassian goes from a cocky and slightly egotistical little boy to a reckless teenager with a possible death wish, the successor of Robin Hood and a leader in his own right.

Tirzah loses her prickles(not not her blunt tongue) and lowers her personality walls and becomes a loving and protective mother.

Jean-Luc grows from a little boy with a big mouth and a violent temper to a mercurial stoic member of the Locksley Pack to Sheriff of Nottingham.

Tarquin and Sorcha go from being hostages to Royal Envoys.

And as these characters grow up, not only do they change, but their character soundtracks change as well.

Which is all sorts of fun.

(note: we haven't seen Mini-Jean-Luc, Mini-Declan, Mini-Mei, or Mini-Cassian yet, but  we will see them later, I promise.)

Cassian/Ravenna
Leading the Pack by Sam Tinnesz 

Rewrite the Stars by Zac Efron and Zendaya

Monsters of the North by The National Parks

Good Life by G-Eazy & Khelani

Jean-Luc/Tirzah
Sail by AWOLNATION

You Put Up With Me by Tyrese

But I Do Love You by LeAnn Rimes

Faith (feat. Ariana Grande) by Stevie Wonder

Tarquin/Sorcha
Make It Last (feat. Jewel) by Tyrese 

Impulsive by Wilson Phillips

Army of One by Coldplay

If I Die Young by The Band Perry